CARRERA (Netherlandz) + 12 AULLIDOS (Spain) – Op Drift, Groningen 23/10/99
This was supposed to be a benefit-concert (for a table-football!) with Boycot, Fleas And Lice and 12 Aullidos but someone, somewhere, something fucked up and they found Carrera as a substitute. The guys from Costa del Sol are touring by train (interrail) so we’re picking them up from the trainstation. Yesterday, in Germany, the guitarplayer lost his bag with passport and interrailticket. Fortunately this is the last week of the (6-week) tour, so they’re not too stressed about it. FC Groningen just played a homegame and I begin noticeing more and more hooligans in the streets so it’s me that starts stressing instead. We arrive safely at the Op Drift squat and go for the food. Carrera starts playing their surfpunkrock and continue for more than one hour. More and more people start showing up. 12 Aullidos has only 5 songs and plays them almost 2 times. Very intense and hectic emo-hardcore. They actually played all in Freakshow (who also did some tours through Europe) and the style is obviously similar. Dani, the drummer, let his fingers bleed badly. I think it’s good for him and the equipment that they’re at the end of the tour. Actually 12 Aullidos already split up. Mateo, the guitarplayer, is considering to move from Spain to Groningen and join Shikari as a 2nd guitarplayer. Yipee!  

Going crazy with 12 Aullidos!

12 Aullidos

 

12 AULLIDOS (Spain) + BLACKFIRE (Usa) – Entrepotdok, Amsterdam 24/10/99  
We were quite impressed with the Spanish, so we decide to drive to Amsterdam to see them again. We take Mateo, the guitarist with us coz he lost his interrailticket in Germany. The Entrepotdok is a complex of 12 old warehouses from which a couple of floors have been squatted in november 1996. Now there’s spaces for theatre, concerts, sleeping, living, paintworkrooms… They’re having concerts every week. After arrival, we see they will play with a Navajo band from “the States”. Suddenly I notice people from Kochise and the Maloka collective from France. It appears they have organised the Blackfire tour and are driving for them as well. After exchanging some stories and ideas, a conference takes place about the Big Mountain movement and their situation. (This is about the largest forced relocation of American Indians in the 20th century to make way for Peabody Western Coal Company to strip mine the ancestral lands of the Dineh (=Navajo). This is being done with the aid of the corrupt US and tribal governments. The Dineh who have refused to leave their land and relocate to government supplied land (the site of a major radioactive spill) are being harassed with illegal eviction notices and livestock confiscations, deprived of their well water and firewood, and forced to live in constant fear). I don’t find the time and concentration to join coz I meet more people I haven’t seen for ages. After the conference, 12 Aullidos starts to play. Not too many showed up, maybe around 60 but still a good atmosphere. Again a very spastic and powerful set from those crazies. Really too bad they quit. Next is Blackfire. A band of three combative Navajo indians from Arizona, bringing their current situation to attention. It’s difficult to label. Some rock/grunge, then fast hardcore, punkrock, mainstream.... they don’t move me much musically but lyrically it keeps my full attention. The elderly father of the bassplayer sings one tune along as well - very impressive. I never knew much about the Big Mountain movement but thanks to this band they definitely got me interested (and amazed/shocked).

Bleeding, howling, screaming, dying... 12 Aullidos                                      Dineh Power!  Blackfire

MINION (Germany) + CONVINCED (Sweden) + CATHARSIS (Usa) – Schlachthof Magazinkeller, Bremen Germany 5/11/99  
I only knew the Catharsis/Gehenna split LP and didn’t like it at all. When I was given their 2nd LP, I was impressed. Total metalcore in the vein of Integrity but more technical and with lots of variation. So we take the Bacteria Express and drive straight to Bremen. When we arrive, we mainly see “supermarket” but almost no audience. (Note: for you who are not familiar with our expressions yet, “supermarket” stands for the overkill of merchandise stands present at most “modern” hardcore  concerts. The ultimate supermarket you can find at the annual Ieper festival in Belgium). We submit and checkout the stands. I am pleasantly surprised to see a distro dedicated to (political) books and (maga)zines. I find issues of Cometbus, World War 3 and great books on antifa-poster art in Germany, Class War…etc.etc. There goes our money. MINION starts off with their brutal hardcore. Lotsa chugga chugga with doublebassdrumming. It has that typical Bremen sound (like Systral, Mörser...). Normally it tends to bore me after a while but I’m in the mood and get into it alot. I should try to find a record of them coz I didn’t get a clue about lyrics. CONVINCED is next and I’m shocked. Can someone tell me what this has to do with punk/hardcore? I’m getting real confused here. This is mainstream collegerock (almost on the MTV level) including all the poses and image, but they are profiled as punk. At least I try to understand and watch it, but after 10 minutes I had enough. It’s time for food, so we escape with some people to a nearby foodbar. When we return Catharsis is ready to go. It’s funny to see the singer taking care of his voice, doing exercises and shit. Before they start, he starts talking, introducing the song, the set and his politics and feelings. Nothing wrong with that but the longer he talks the more disgusted I get. He presents his views and demands the crowd for confirmation. If no ones responding, he’s going for individuals putting the mike in their face and asking silly rhetoric questions. Demagogy in action. I try to focus on the music instead. I have a nice time observing the drummer but the whole way of presenting (read: forcing) the message and feeling spoils a lot of the fun. I decide to leave and end up having a nice chat with the guy running the distro where I spent all my money earlier this nite (Tracer Sanction, St.Pauli Strasse 10-12, D-28203 Bremen, Germany tracersanction@gmx.net) When I go out, I see most of the people that travelled with me outside as well. Hahaha. Seems I’m not the only one that is disgusted or dissapointed. After the concert, one of us goes up to the singer to ask about the way they’re presenting their ideas. But he rather wanted to spare his voice (telegramstyle mumbling) than go into detail and start a real discussion. Too bad. Too sad.  

NUTCASE (Germany) + HUMAN ALERT (Netherlandz) – Friesenstrasse, Bremen Germany 13/11/99  
Give me Bremen anytime. Always something’s happening. Most touring bands do this city and atmosphere is mostly good Master of Anarchy!at concerts. So this time we even go to Germany to see a Dutch band! It had been quite a while since I last saw Human Alert, and after last week’s concert in the Schlachthof Magazinkeller, I need a Bravo Boys!!!good laugh and some quality punkrock. When we arrive, we’re welcomed by the bosscook Margriet/PCP and go for the leftovers. It’s good to see Willem (organizer for these crazy Punkcafé Tegen concerts in Vrieshuis Amerika, Amsterdam; RIP), slick-guy Svengus and old-timer Jan the soundman. It appears they’re doing a two day tour in Germany. Their new drummer Chrisis has serious problems with his (computermouse) arm. After some talk, Nutcase starts and I see the place is crowded! Lots of people from Groningen are present. After a couple songs I go out. Boring lalala-core. I meet some friends and hear some good gossips. When Human Alert begins, the place starts moving. The sound is great but I see Chrisis suffering. Being a drummer myself, I can identify with the situation easily so I focus more on the theatrical skills of the singers. Their German is hilarious and crowd-participation is 110%. They keep on playing. Probably some 30-40 songs. Chrisis is in crisis but Margriet orders more. They continue. Brilliant concert. This is certainly a band to see on a small stage. Crazyness all around. Definitely worth the trip.

INSULT + STAND STILL (Spain) + SEEIN’RED + E-150 (Spain) – OJC Niks, Horst 4/12/99  
When E-150 decided to come to Holland for a couple concerts (their condition was to have 1 concert with Seein’Red), Stand Still wanted to come along as well. Since their van was not big enough, 3 of them flew in by plane and Stand Still would do some concerts in France on the way to Holland. When we arrive in Horst at around 19.30, they were already present as were the other bands. I have mixed feelings about this place. In early 1998, Catweazle played here their last concert, without actually knowing it at that moment. Strange. When Insult starts, there’s about 100 people inside. Sound is quite shitty. The organizers decided not to use the (small) stage and PA equipment. Too bad coz the drums are totally fucked. Insult is promoting their new EP. They seem to like satanism a lot with their pentagrams and evil-fingerpointing. Musically it’s almost deathmetal. Not too exciting though. Stand Still I already saw in Zaragoza in may with Brasilian masters (but lazy bastards) Ação Direta. They changed line-up. Now the E-150 bassplayer plays for them as well. But it is still that boring emo-metal. Or something like that. It drags on with a couple exciting parts but without much conviction. Heard it all before. During Seein’Red, the place is totally crowded. People start to move, to dive and to dance. Great to see people move on that fastcore. Then, I miss the E-150 set because I have some trouble with our car and have to wait 1 hour in the freezing cold for the roadservice. When I come back in, they just finished their set and I hear exciting stories about it. Jos SR singing and diving along with a 7 seconds cover, a Lärm cover, good and crazy atmosphere…. Hmmm.

E-150 in de KortsluitingSTAND STILL (Spain) + E-150 (Spain) – Kortsluiting, Utrecht 5/12/99 in the afternoon  
When we arrive around 15.00 it’s already crowded. This place is a very small building squatted about 2 years ago and is located in Lombok, a colourful neighbourhood just outside the centre of Utrecht. I see some Amsterdam faces… remarkable! Also Seein’Red is present plus other out-of-town scenesters. The place is packed. During Stand Still, one of the E-150 drivers forgets to take the carkeys out of the car and cannot get in  anymore. Deja-vu coz exactly that happened to me yesterday during the E-150 set…. We see the keys laying under the frontseat… but there is no way to get into the car without breaking something. After some phone calls, they decide to go for the road-service. But first E-150. Very intense but I can’t help and miss Italiano, their original 2nd singer, who quit some months ago. 15 minutes after the concert, the roadservice arrives and tries to open the car. He tries two tricks but without any luck. After about 35 minutes he manages with a new trick and during a thunderous applause from the crowd gathered around the car, he notices he fucked up the interior of the door coz it can’t close anymore. That’s yet another 10 minutes. We eat and depart for the exclusive Hoogeveen concert which will take place in a rehearsal room.      
                                                                              

E-150 E-150 going cuddly

Point Of FewPOINT OF FEW + STAND STILL (Spain) + E-150 (Spain) – Het Podium, Hoogeveen 5/12/99  
On the way to Hoogeveen we buy a big bag of Pepernoten (
gingerbread cubes) to celebrate Sinterklaas. Yes, it is Sinterklaas Avond, a traditional Dutch pagan bourgeois celebration. It is difficult to explain for outsiders (there’s for elite-consciousness), we try to some Stand Still and E-150 people but I wonder if they got it – like Santa Claus being on an early trip. They like the pepernoten, so we decide to treat them well during their sets. Local heroes Point Of Few starts off with their fast and furious hardcore assault. I count about 20-25 visitors and almost everyone knows eachother. This is a private concert accessable on reservation/invitation only because it was not possible to organize in the actual concerthall. Now it is in one of the rehearsalrooms downstairs in the same youthcenter but there’s place for at least another 30 so I think the private character was not really necessary. When during Stand Still the drummer is showing off with his sticks, I try to hit ‘em with some pepernoten. When I go upstairs, I see some visitors molesting a candy-machine. It’s a pretty funny sight and after a while they attract a real crowd as well. E-150 gets the crowd moving, diving, circle-dancing, throwing pepernoten, heapdiving, piling-up, bathroom-humouring… I manage to shoot some pictures until someone smashes into my camera. Drama. That lasted no longer than a lousy 5 months. Damn. After the gig, we help friends finding items they lost during this party. (PS. After this one they played in Bremen before 25 people and in Frontline, Gent where they got $25 for both bands!! Punkrock!!).

SHIKARI + N.B.P. + SPIRIT 84 – Simplon, Groningen 10/12/99  
Youthcenter Simplon is doing an effort promoting ‘smaller” and hardcore bands. So this time we have three Dutch bands on a Friday night. The concert won’t take place on the usual stage but on the floor. This makes the room for about a half smaller which means a better atmosphere when there’s not too many people. At around 22.30 when Shikari starts, I’m astonished to see the place filled. Eventually there’s more than 100 people! Most faces I’ve never seen before. As for Shikari, I’m not objective. This is the first concert and as far as I can judge, the sound sucks. At least from behind the drumkit. In between songs it’s mass applause. Weird. Normally I’m used to screams, insults, cursing, beerthrowing and other offensive appreciations in between songs. I must admit the average visitor looks like the perfect son-in-law (yes, it’s mostly males), excuisitely and neatly dressed. Obviously with behaviour to match. I’ll get used to that. After 20 minutes of sheer posing and emo-forging, we call it quits. Take it away N.B.P.! Too bad it’s boring crossover (that’s punkrock, metal, new-oldschool…pfff, whatever mixed) from Shikari! Overijssel. Musically it’s well played with 2 guitars but it drags on for almost an hour. Lyrically there’s stuff about backstabbing and being tough. Hmm. Spirit 84 gets the crowd moving. I was told they are the successors of youthcrew band Mainstrike. Already released a CD on the (in)famous Good Life label in Belgium. First 6 songs are sloppy uptempo youth of today songs. Afterwards more catchy midtempo hardcore parts in the vein of Gorilla Biscuits. I love that kind of stuff. They have great guitarsound as well. Then I notice a goofy sticker on the side of the guitarist’s amplifier: the word “straightedge” with a Dutch national flag… What the fuck?!! It’s getting crazier every year. Khrsna, hardline, christianity, nationalist straightedge. What’s next? I think I don’t want to know. 

LESSER OF TWO (Usa) + KATASTROPHOBIA (Belgium) – Opdrift, Groningen 11/12/99  
I never heard of both bands before. I’m afraid this will be yet another insignificant yankee band touring Europe. When we arrive there’s a handful of people. At 22.30 Lesser Of Two begins in front of a crowd of around 35. I’m starting to get pissed. Where’s all the people from yesterday?!? If there would be at least half of what we had yesterday, it would be great. Is it because it’s in a squat? Or because the bands are not modern or known enough? Or because it is punk??? I wonder. With their mouth full of unity, support and other semi-sympatho talk, most of these socalled cleanpunks ignore the real underground. Hypocrite, narrow-minded, artificial…. Uhhh, sorry I get carried away. The first part of the Lesser Of Two set exists mainly out of uptempo Health Hazardish hardcore. It gets exciting when they start playing slower, more jazzy/freaky bass orientated core. I can’t wait to hear them in Madrid on the 25th when they’ll play with Seein’Red on a 6000W installation coz here the sound sucks pretty much. Katastrophobia is basic but catchy crustcore with a fucken fast hiat-handed drummer. Impressive!